Peach-Stained Prayers


Lammas (August 1st)

Lammas will soon arrive, August 1st. Now we begin the sacred work of noticing what’s ready. Not everything is ripe yet, but some dreams have plumped on the branch. In honoring the first cut, we bless the whole season to come.

The first harvest, the first of three cuts, is traditionally tied to grain, bread, and early fruits. (The second comes at Mabon, the Autumn Equinox; the final, at Samhain.) This is the moment of promise fulfilled, when what was sown in spring begins to show its fullness. We honor the labor of planting, tending, and believing.

Every summer, without fanfare or forethought, I find myself pulling off the road beside the little farm stand at the edge of town. The one with the crooked hand-painted sign and the cooler packed with Silver Queen corn—sweet as memory, and just as fleeting. I used to do this with my parents. There’s a kind of prayer in stopping for corn. In choosing what’s ripe. In saying thank you with your hands.

Now, I go alone or with my husband and still, it feels sacred. I run my fingers along the silk-tasseled ears, then pick out beefsteak tomatoes still warm from the sun. I’m not just purchasing produce. It’s a quiet ritual of remembering, of tending, a throughline between what was and what is. Lammas lives here too, in the hush between rows of beans and ripening watermelons. I can almost taste it swirling through the peaches.

Peaches carry a special memory. My mother taught me to make pie crust. An aunt, a kitchen witch in her own right,shared a secret that makes the crust extra flaky. The first pie I ever made on my own was peach. In a few days, I’ll make another one to honor my ancestors, and to honor the season and to remind myself of the golden sweetness still left in this world.

This Lammas, I will also be honoring the cyclical nature of life, death, and rebirth, as represented by Demeter and her daughter Persephone. Lakshmi, a deity that is dear to my heart, will have a place on my Lammas altar as well. She embodies abundance and the beauty of Mother Earth.

I feel strongly about focusing on the farmers who planted in spring, and the earth-tenders who now harvest our crops. In a time when deportation and division weigh heavy, I am especially mindful of the hands, often brown, often unseen, that feed this country. There is sacrifice in every basket of fruit. There is a prayer in every field. So, I’ll offer prayers for our soil and the people that tend it and for the elements that live within us and around us. I will offer prayers for the environment, for the weary and for the rising. May our world heal—on all levels. May Mother Earth be honored as the life-giver She is.

Lammas reminds us that the earth remembers and so do we.

Mini Ritual: A Lammas Blessing for Bounty & Gratitude

Offer something simple. Something real. A heartfelt prayer, a spoken blessing, or even just a pause under the sky.

Stand barefoot on the earth.
Light a gold or orange candle.
Say aloud the following or something else that stirs your soul: I give thanks for the fruit of my labor, for the sweetness of the season, and for the hands, seen and unseen, that have shaped this life.

Place a peach, a loaf of bread, or any offering you like on your altar or windowsill.
Then ask yourself:
What am I harvesting?
What am I ready to cut away?

Bless it all, the seen, the unseen, the sweet, the sharp and the unknown.\

Ink and Incantations.

There are books we love that seem to haunt us long after we’ve closed the covers. For me, those books have always lived in the strange and beautiful space I now call lyrical magical fiction, stories that blend the ordinary and the mystical in quiet, poetic ways.

Not fantasy.
Not sci-fi.
Not vampires or alternate planets.
Just this world but shimmering slightly.

A teacup that knows your secrets.
A tree that blooms when someone is healed, no matter the season.
A ghost that doesn’t apologize for showing up at breakfast.

I’ve loved stories like that my entire life. What I didn’t realize until very recently is, I also enjoy writing them. At 66, I’m finally giving myself permission to write the way I see the world. To trust that my own strange blend of poetry, intuition, spirituality, and myth has a place.

Lyrical magical fiction has offered me a creative home I didn’t even know I was longing for. I came to it sideways. When I began writing about my adoption, something unusual happened.
I imagined what my deceased biological mother might say to me, if she could. And her voice came through, clear, poignant, full of mystery. I didn’t know I was walking through the veil into the realm of the mystical. I only knew that the conversation felt true. And healing. And necessary.

That’s the thing about this kind of storytelling, it doesn’t ask you to explain the unexplainable. It just asks you to believe it for the span of a sentence. A page. A life. It lets me braid together all the parts of myself, my lifelong love of poetry, spiritual practices and devotional paths and the houses I’ve lived in, 52, and the ones that still live in me.

It affirms my experience as an adoptee, a seeker, a writer, an intuitive, and a woman who sees no boundary between the sacred and the everyday.

The teacup is an altar.
The garden is a prayer.
The page is a portal.

I’ve often said, I see the world through a witch’s eyes.
And honestly? I’m still stunned it took me this long to figure out my voice. I remember wanting to write fiction in undergrad but didn’t. It surfaced again in my MFA program at Goddard, whispering at the edges. But I told myself I needed to use my platform for more “important” things, to address oppression, grief, all the endless woes of the world. 

The truth is those themes can be woven into the fabric of my work if I choose. And I don’t have to suffer to write something meaningful. I still remind myself, it’s okay if I enjoy the writing process.

I’ve healed so much by writing about adoption, by facing it head-on. I no longer feel the need to circle it endlessly. That doesn’t mean it won’t show up in my fiction. It might.
But it will arrive in different forms, under different names.

I’m still deeply engaged in the world. I’ll always be that way. But I also trust now that wonder is as vital as witness.Beauty is not an escape it’s a kind of activism. Maybe I had to live enough years to understand how grief walks beside wonder. How the sacred hides in ordinary dust. How our stories aren’t always linear.

They spiral.
They haunt.
They heal.

But there’s more I need to say.

Last night, I woke from a dream that brought everything into focus.

I understood, in that soft, in-between place, why I write this way.
Why I string words together like spells.
Why mood and setting matter so much—because they are incantations.
A way of shaping how I see and feel and breathe.

I write like this because I’m trying to understand the world.

How to keep seeing beauty, even when everything feels broken.
How to hold grief and magic in the same palm.
How to live honestly in a world full of sorrow and still look for the shimmer.

Writing, for me, is both resistance and reverence.
A way to say, yes, this world is unraveling and yet,

There is still wonder.
There is still mystery.
There is still a ghost at the breakfast table, and a tree that blooms when someone forgives.

That’s what lyrical magical fiction offers me,
Not escape.
But a way to live with everything.
To bear witness and bless.

It challenges me.
It stretches me.
But more than anything, it heals me.

Are you drawn to stories like this too?
Have you ever written something you thought was “just a story,”
only to discover it held a spell, a prayer, or a sacred truth?

I’ll be sharing more about this journey in the coming weeks, craft notes, prompts, book recommendations, and lessons I’m learning as I write my novel.

But for now, I just want to say:

If you see the world a little differently,
If you talk to ghosts or believe that houses can feel,

You’re not alone.
You’re not wrong.
You might just be a writer of lyrical magical fiction.
Or maybe, like me, you always were.